Prepare to be captivated as we delve into the enchanting world of Ella Fitzgerald, the undisputed “First Lady of Song.” Her mesmerizing voice, unparalleled vocal range, and impeccable timing have made her one of the most celebrated vocalists in jazz history. In this article, we embark on a musical journey to rediscover the best songs of this extraordinary artist, songs that have transcended time and continue to enchant audiences worldwide.
One of Ella’s most iconic recordings is “Summertime,” originally composed by George Gershwin. Her rendition of this classic is a masterpiece of vocal artistry, with her sultry phrasing and impeccable control conveying the song’s languorous mood. Another unforgettable gem is “Cheek to Cheek,” a collaboration with Louis Armstrong that showcases their incredible chemistry. Ella’s playful scatting and Armstrong’s gravelly voice create a captivating tapestry of sound that perfectly captures the essence of this playful and romantic tune.
Beyond these well-known hits, Ella’s repertoire boasts a wealth of hidden treasures. “How High the Moon” is a high-energy swing number that highlights her lightning-fast scatting, while “Mack the Knife” showcases her versatility with its dramatic and intense delivery. Her interpretation of “Cry Me a River” is a poignant and heartbreaking ballad that displays her profound emotional depth. These are just a few glimpses into the extraordinary legacy of Ella Fitzgerald, a singer whose artistry continues to inspire and enchant generations of music lovers.
Ella’s Exquisite Vocals in “Summertime”
Ella Fitzgerald’s rendition of George Gershwin’s timeless masterpiece “Summertime” is widely regarded as one of the most iconic performances in jazz history. Her voice, possessing a rare combination of power, clarity, and grace, transforms this poignant ballad into a heart-wrenching masterpiece.
In the opening lines, Fitzgerald’s voice glides effortlessly over the slow, swaying rhythm, her phrasing impeccable. The sultry sweetness of her timbre evokes the languid embrace of a summer evening. As the song progresses, her voice rises and falls with the ebb and flow of the melody, capturing the bittersweet longing and anticipation of the lyrics.
The chorus, with its haunting refrain “Summertime, and the living is easy,” becomes a mantra in Fitzgerald’s hands. Her voice lingers on the words, infusing them with a sense of nostalgia and wistful reflection. The interplay between her improvisational scatting and the steady strumming of the rhythm guitar creates a hypnotic effect, immersing the listener in the song’s tranquil atmosphere.
Fitzgerald’s Vocal Mastery
Fitzgerald’s performance of “Summertime” showcases the full range of her vocal abilities:
| Vocal Technique | Examples |
|---|---|
| Perfect Intonation | Her voice consistently hits the exact pitch, with no wavering or sharpness. |
| Effortless Phrasing | She flows seamlessly through the melody, without any awkward breaks or hesitations. |
| Superb Control | Her voice never falters, even in the most technically demanding passages. |
| Beautiful Timbre | Her voice has a rich, warm, and slightly smoky quality that adds depth to the performance. |
The Scatting Virtuosity of “Flying Home”
Ella Fitzgerald’s “Flying Home” stands as a testament to her unmatched vocal prowess and improvisational brilliance. Recorded in 1945, this iconic track features Fitzgerald’s signature scatting technique, a form of improvised vocalization using nonsensical syllables.
A Symphony of Nonverbal Sounds
Fitzgerald’s scatting in “Flying Home” is not merely a vocal gimmick but a virtuosic display of musicality. Her seamless transitions between rhythmic patterns, inventive melismatic runs, and subtle inflections create a captivating sonic tapestry. The result is a captivating performance that transcends language barriers and communicates pure musical joy.
Vocal Acrobatics at Its Finest
Throughout the track, Fitzgerald demonstrates her extraordinary vocal agility and improvisational skills. Her scatting ranges from rapid-fire triplets to languid, elongated notes, all delivered with impeccable precision and control. She effortlessly adapts her vocal style to match the evolving musical landscape, seamlessly blending swing, bebop, and even Latin influences.
| Scatting Technique | Examples from “Flying Home” |
|---|---|
| Triplets | “Doo doo bee-di-doo” |
| Melismatic Runs | “Yo-de-lay-hee-dee-ah” |
| Latin Inflections | “Aye-oh-way” |
The Smooth Elegance of “A-Tisket, A-Tasket”
Ella Fitzgerald’s vocal prowess is showcased in her enchanting rendition of “A-Tisket, A-Tasket.” The song, written by Ella Fitzgerald and Dave Barbour, exudes a captivating charm through its playful lyrics and Fitzgerald’s unparalleled delivery.
The Enchanting Melody
“A-Tisket, A-Tasket” features a simple yet irresistible melody that stays with the listener long after the song ends. The delicate piano accompaniment and subtle instrumentation provide a perfect backdrop for Fitzgerald’s velvety vocals. Her effortless ability to navigate the melody, adding subtle nuances and improvisations, creates a truly captivating performance.
Lyrical Whimsy
The song’s lyrics, penned by Ella Fitzgerald, are a testament to her whimsical sense of humor. The nonsensical refrain of “A-tisket, a-tasket, green and yellow basket” contrasts with the witty verses, which tell a tale of a young girl trying to sell a basket. Fitzgerald’s playful interpretation brings the lyrics to life, infusing them with a childlike innocence.
Scat Jazz Mastery
The true highlight of “A-Tisket, A-Tasket” lies in Fitzgerald’s iconic scat singing. She transforms the end of the song into an improvisational masterpiece, weaving in scat syllables and melodic embellishments with breathtaking ease. This section showcases her unparalleled ability to use her voice as an instrument, creating a mesmerizing soundscape.
Impact and Legacy
“A-Tisket, A-Tasket” became an instant hit upon its release in 1938, solidifying Ella Fitzgerald’s status as a jazz legend. It remains one of her most beloved songs, both for its catchy melody and Fitzgerald’s unforgettable performance. The song continues to inspire and enchant listeners with its timeless elegance and enduring charm.
The Vocal Acrobatics of “Lady Be Good”
Ella Fitzgerald’s rendition of Gershwin’s “Lady Be Good” showcases her unparalleled vocal dexterity and scatting prowess. The lyrics, a playful exchange between a persistent suitor and a reluctant lady, provide the perfect canvas for Fitzgerald’s vocal gymnastics.
Breath Control and Phrasing
Fitzgerald’s phrasing is impeccable, with every syllable enunciated clearly while maintaining a fluid, effortless flow. Her breath control allows her to sustain long notes and execute complex runs without losing clarity or power.
Scatting Mastery
Fitzgerald’s scatting is the centerpiece of this performance. She effortlessly weaves improvisational melodies, playing with rhythms and harmonies, creating a thrilling sonic landscape. Her ability to use her voice as an instrument, mimicking horns and other instruments, is unparalleled.
Range and Flexibility
Fitzgerald’s vocal range is astonishing, spanning three octaves with ease. She effortlessly navigates from breathy low notes to soaring high notes, demonstrating her incredible flexibility and control. The following table highlights some of the vocal techniques she employs throughout the performance:
| Vocal Technique | Example in “Lady Be Good” |
|---|---|
| Melismatic Coloratura Runs | “Oh, good, good, good” (Verse 1) |
| Octave Jumps | “I’m not that kind of girl” (Verse 2) |
| Scat Improvisation | “Do-wah, do-wah, do, bebop” (Chorus) |
| Humming and Sighing | “Ooh, honey” (Verse 3) |
The Poignant and Heartfelt “Dream a Little Dream of Me”
Released in 1951, “Dream a Little Dream of Me” is a timeless classic that has been covered by countless artists throughout the years. Ella Fitzgerald’s rendition is particularly poignant and heartfelt, capturing the essence of the song’s longing and vulnerability.
A Harmonious Tapestry
Fitzgerald’s performance is a masterclass in vocal control and phrasing. Her voice glides effortlessly over the lush melody, weaving a harmonious tapestry that draws the listener into the song’s dreamlike atmosphere.
Lyrical Nuances
Fitzgerald’s interpretation of the lyrics is equally nuanced. She infuses each line with a subtle yearning and longing, conveying the desire to escape into a world of fantasy and romance.
Swinging Rhythm
Despite its poignant lyrics, “Dream a Little Dream of Me” is also an upbeat and swinging number. Fitzgerald’s band provides a lively undercurrent that complements her vocals perfectly, creating a sense of both intimacy and exhilaration.
Historical Context
Released during a time of social and political upheaval, “Dream a Little Dream of Me” provided a much-needed escape for listeners. Its message of love and longing resonated with audiences who were weary of the harsh realities of the world.
Cover Versions
Over the years, “Dream a Little Dream of Me” has been covered by numerous artists, including Louis Armstrong, The Mamas & the Papas, and Aretha Franklin. However, Ella Fitzgerald’s version remains the definitive interpretation, a testament to her extraordinary vocal talent and enduring legacy.
| Cover Artist | Release Date |
|---|---|
| Louis Armstrong | 1958 |
| The Mamas & the Papas | 1965 |
| Aretha Franklin | 1968 |
The Swinging Delight of “Mack the Knife”
Ella Fitzgerald’s rendition of Kurt Weill’s “Mack the Knife” is a masterpiece of jazz interpretation. Here’s why it stands as one of Ella’s most beloved recordings:
Dreamy Introduction
The song begins with a haunting introduction, setting the stage for the lyrical journey ahead. Ella’s voice gradually emerges, as if whispering secrets in our ears.
Infectious Rhythm
Despite its somber lyrics, “Mack the Knife” is a joyous dance floor anthem. Ella’s scatting and swing phrasing breathe life into the iconic melody, inviting listeners to tap their feet and move with the rhythm.
Vivid Storytelling
Ella’s vocal delivery is a masterclass in storytelling. She effortlessly conveys the character’s emotions and the tragic tale of Mack the Knife, leaving listeners absorbed in the narrative.
Scatting Extravaganza
The song’s iconic scatting section showcases Ella’s vocal agility and virtuosity. Her improvisations dance effortlessly across the melody, creating an otherworldly soundscape that mesmerizes the listener.
Improvisational Mastery
Ella’s performance never stays static. Each live recording offers unique improvisational flourishes, making every rendition a fresh and exciting experience. Her mastery of scatting and phrasing allows her to explore the melody in myriad ways.
Chart-Topping Success
Upon its release in 1960, “Mack the Knife” became an instant hit, topping the Billboard Hot 100 chart for three weeks. Its popularity solidified Ella’s status as one of the greatest jazz singers of all time.
| Release Date | Chart Position |
|---|---|
| 1960 | #1 (Billboard Hot 100) |
The Evocative and Lyrical “My Man”
Ella Fitzgerald’s rendition of “My Man” remains an iconic masterpiece, capturing the essence of love, devotion, and longing. Written by Jacques Charles and Channing Pollock in 1921, the song became an international standard, but Fitzgerald’s interpretation added a unique depth and poignancy.
A Timeless Classic
Fitzgerald’s recording of “My Man” was released in 1949 and quickly became a chart-topping hit. It showcased her incredible vocal range, impeccable phrasing, and ability to convey the lyrics with raw emotion.
The Essence of Love
The song’s lyrics describe the unwavering love and admiration a woman has for her man. Fitzgerald’s performance perfectly captures the tender and devoted emotions, making the song a timeless anthem of love and devotion. Her voice soars effortlessly, expressing the joy and contentment of being in a loving relationship.
Table of Musical Highlights
| Verse | |
|---|---|
| 1 | Fitzgerald’s opening verse sets the tone, with her rich and velvety voice conveying the deep affection and admiration for her man. |
| 2 | The second verse showcases Fitzgerald’s vocal agility, as she glides through the higher notes with ease, expressing the longing and anticipation of her man’s return. |
| 3 | The final verse, “My man, my man, my man,” is a poignant repetition that captures the essence of the woman’s unwavering love and commitment. |
A Masterpiece of Jazz
Beyond its lyrical beauty, “My Man” is also a testament to Fitzgerald’s exceptional jazz musicianship. The arrangement, led by pianist Ellis Larkins, provides a subtle yet swinging backdrop, allowing Fitzgerald’s voice to take center stage.
Impact and Legacy
Fitzgerald’s “My Man” has left an indelible mark on the music industry. It has been covered by countless artists, including Frank Sinatra, Billie Holiday, and Tony Bennett, and remains a beloved standard in the Great American Songbook.
The Jazzy Interpretation of "Bewitched, Bothered and Bewildered"
Ella Fitzgerald’s rendition of “Bewitched, Bothered and Bewildered,” originally from the 1954 Rodgers and Hart musical “Pal Joey,” is a timeless classic that showcases her impeccable vocal skills and unique improvisational style.
A Scatting Tour de Force
The song’s most iconic moment is undoubtedly Ella’s scatting improvisation, which spans over a minute and a half. Her scatting soared with effortless fluidity, creating intricate melodies against the swinging rhythm.
The Emotional Undercurrent
Beneath the playful exterior, Ella’s interpretation hinted at the song’s underlying melancholy. Her subtle vocal inflections and nuanced phrasing conveyed the character’s inner turmoil perfectly.
A Perfect Collaboration
The success of Fitzgerald’s version was amplified by her partnership with the Oscar Peterson Trio. Their interplay was seamless, with Ray Brown’s bass providing a solid foundation and Peterson’s piano adding a delightful counterpoint to Ella’s vocals.
A Timeless Masterpiece
Ella’s “Bewitched, Bothered and Bewildered” has become an enduring standard, praised for its impeccable musicianship, emotional depth, and undeniable swing. It remains a testament to Ella Fitzgerald’s unparalleled talent and continues to enchant listeners generations later.
| Year | Album |
|---|---|
| 1956 | Ella Fitzgerald Sings the Rodgers and Hart Songbook |
The Sophisticated Charm of “How High the Moon”
Ella Fitzgerald’s rendition of “How High the Moon” exudes a timeless sophistication that has captivated listeners for generations. Composed by Morgan Lewis and Nancy Hamilton in 1940, the song became a signature tune for Fitzgerald, showcasing her unparalleled vocal abilities and charismatic stage presence.
Fitzgerald’s interpretation of the song is notable for its intricate scatting and playful phrasing. She seamlessly weaves in scatting solos, adding a touch of improvisation and spontaneity to the performance.
The song’s lyrics, which extol the wonders of the moon and the power of love, provide ample opportunity for Fitzgerald to showcase her emotional range. Her voice soars effortlessly through the high notes, creating a sense of wonder and awe.
The sophisticated charm of “How High the Moon” is further enhanced by its musical arrangement. The lush orchestration, featuring strings, woodwinds, and brass, provides a rich and evocative backdrop for Fitzgerald’s vocals.
The song’s enduring popularity is a testament to Fitzgerald’s artistry and the timeless appeal of her music. It remains one of her most beloved and iconic recordings, showcasing her unique blend of talent, charm, and sophistication.
9. Live Performances and Recording History
Fitzgerald performed “How High the Moon” countless times throughout her career, delighting audiences with her vibrant renditions. The song was a staple of her live performances, and she frequently included it in her concert setlists.
The most notable live recording of “How High the Moon” is from Fitzgerald’s 1972 performance at Carnegie Hall. This iconic rendition features Fitzgerald’s masterful scatting and improvisational skills, showcasing her unparalleled vocal abilities and her ability to captivate an audience.
In addition to her live performances, Fitzgerald recorded “How High the Moon” in the studio on multiple occasions. The first studio recording, released in 1950, features a classic big band arrangement and became a commercial success. Subsequent studio recordings captured Fitzgerald’s evolving interpretations of the song, showcasing her versatility and enduring talent.
| Live Performance | Recording Date |
|---|---|
| Carnegie Hall | 1972 |
| Montreux Jazz Festival | 1975 |
| Berlin Jazz Festival | 1983 |
The Sublime Beauty of “Moonlight Serenade”
Released in 1941, “Moonlight Serenade” is a timeless masterpiece that showcases Ella Fitzgerald’s unparalleled vocal prowess. With its haunting melody and evocative lyrics, the song encapsulates the longing and yearning of a moonlit night.
The song’s structure is deceptively simple, relying on a repetitive chord progression and a limited vocal range. However, Fitzgerald’s mastery lies in her subtle variations and nuanced phrasing. She imbues each syllable with an emotional weight, creating a tapestry of longing and longing.
The lyrics, penned by Mitchell Parish and Joe Bushkin, capture the essence of a moonlit night:
| In the cool, cool moonlight |
| We strolled all night |
| And talked of our love |
| And the moon above |
Fitzgerald’s voice glides effortlessly over these words, creating a sense of intimacy and vulnerability. Her phrasing is fluid and seamless, matching the gentle sway of the melody.
The song’s climax comes in the bridge, where Fitzgerald’s voice soars to a crescendo:
| Now it’s time to say goodnight |
| And as we bid adieu |
| I’ll remember moonlight |
| And you |
Her voice shimmers with emotion, expressing the bittersweet joy and sorrow of parting.
In the end, “Moonlight Serenade” is more than just a song; it is a testament to Ella Fitzgerald’s artistry. Her voice captures the timeless beauty of a moonlit night, creating a musical masterpiece that continues to enchant listeners to this day.
The Best Songs of Ella Fitzgerald
With a career spanning over five decades, Ella Fitzgerald recorded an incredible number of songs, making it difficult to narrow down her best work. However, there are a few tracks that consistently stand out as classics.
One of Fitzgerald’s most iconic songs is “A-Tisket, A-Tasket.” This playful tune, written by Fats Waller and Andy Razaf, showcases Fitzgerald’s incredible vocal range and scatting ability. Another classic is “Dream a Little Dream of Me,” which Fitzgerald made famous with her 1950 recording. This beautiful ballad is a timeless piece of music that has been covered by countless artists over the years.
Fitzgerald was also known for her incredible scat singing, a technique in which she improvises vocal melodies without words. One of her most famous scat performances is on the track “Flying Home.” This uptempo swing tune features Fitzgerald’s rapid-fire delivery and impressive vocal gymnastics.
Of course, no discussion of Ella Fitzgerald’s best songs would be complete without mentioning her collaborations with Louis Armstrong.
